Wednesday, August 30, 2006

I am starting fresh, like the wind, like ice on the steppes. I am clearing my inbox, archiving hellos and requests and goodbyes and address changes. I am unknotting the past and allowing it to slither away. I am existing for now. I am looking at the world differently because I am looking at it alone. The only thing that I will keep with me is the dance, and even it and I form an uneasy alliance. It's a matter of practicality; I need it more than it needs me.

A train passes by in the distance, yellow glimpses behind green leafy tops. The sound of seagulls bounces repeatedly off the squat brick buildings around me.

Tomorrow I start taking class again. I don't think I need to shave my head. I merely need to exist in the now, and to let my body be filled with the utmost, sincerest curiosity.

Tuesday, August 29, 2006

Resources for dancers

To all dancers: I am compiling a list of resources that I have come across while in Europe, including schools, classes, audition opportunities, etc. Please check my de.licio.us bookmarks for details.

Friday, August 25, 2006

Death by Democracy

I came across a blog which I thought I should share with you. Death by Democracy is a clearinghouse of information about the political situation in the Philippines for those who don't know too much about it. It lacks some depth, and I wish there was more analysis, and maybe even some sort of big summary of events. But it's not bad as a one-stop source.

Wednesday, August 23, 2006

Desire, Intimacy, and Blogging

From a letter I wrote to a friend today.

"Point taken. Many of the people I met, many of the shows I saw, were remarkable. Your comment actually clarifies something: I guess what I was looking for was not so much 'inspiration' as it was 'purpose'. Or maybe even, an 'affirmation of desire'. Many of the dance artists that I met loved what they did. From their desire flowed purpose, from purpose, action. I am questioning how much I love dance, if I love it at all, or in what capacity I do love it. I know I create. This is what I love to do most of all. But the medium hardly matters for me, and so I am trying to figure out which medium to use right now. I am scared of creating mediocre work, and I am afraid that if I abandon choreography and pursue another medium altogether, I will have to start from scratch and go through the whole cycle again, starting from producing the requisite sophomoric work.

"I also realize that most of my fears are unfounded. For one thing, if I do switch media, it will probably be to one that I am familiar with, either music, or the written word, or conceptual/performance art. Which means that I probably won't really be starting from scratch. For another, I don't think I will ever be able to abandon dance just like that. It's too much a part of me now, in the same way that computing will always be in my blood. Also, some people have made the leap between creative media, and they survived... even flourished.

"Sigh. My problem is that I am a generalist. If I am on a quest for knowledge, in search of truth, my preferred approach is---overall---breadth-first.

"[So I failed to find inspiration in Vienna. How could it have been otherwise?] Predetermining something as a possible source of inspiration, you seem to be saying, is a recipe for failure. You're right, of course. What I was looking for was very specific, I have to admit. What I was looking for was a reason to dance and ultimately, a justification for the choices I made in my life. I was looking for something that would show me that dance was a noble pursuit, that dance was a political practice that could usher in the sort of changes that I was looking for. Now I understand: these sorts of of questions only I can answer for myself. It's incredible how an obvious conclusion like that can take a lot of time and a lot of money to get to.

"A blog is a tricky interface between the public and the private. I average out my relationships with the different people I expect would read my blog, and churn out something that would satify the 'typical' user. But I disagree with your assertion that my writing is completely devoid of intimacy. If you go through some of the entries, some of them are actually pretty revealing.

"Besides, my blog is not my journal. My journal contains the most unutterable things, things that need time to ripen before they can be said. If my thoughts were merchandise or produce, my blog would be the showroom, and my journal would be simultaneously garden, laboratory, and factory.

"Intimacy is a strange thing. I desire it more but find it harder to achieve as time goes by. [...] But also, intimacy is not the same as truth. I can be intimate with you, as actually I am, but still not tell you everything that I want to say."

Saturday, August 19, 2006

The way we see

Chinese and American people literally see the world differently. While Americans focus on central objects in images, the Chinese pay more attention to the background ... Psychologists watching American and Japanese families playing with toys have also noted this difference. "An American mom will say: 'Look Billy, a truck. It's shiny and has wheels.' The focus is on the object." ... By contrast, East Asian mothers stress context, saying things like, "I push the truck to you and you push it to me. When you throw it at the wall, the wall says 'ouch'."

... There are also differences in language development. Western children learn nouns first. But Korean and Chinese children pick up verbs - which relate objects to each other - more easily. [Researchers] hope that the study will change the way the cultures view each other. "Understanding that there is a real difference in the way people think should form the basis of respect."(New Scientist, 27 August 2005)


Basis of respect, my ass. The conclusion misses an essential point: the findings are descriptive, not prescriptive. They corroborates North American fixation on consumer goods. If anything, I would say the study gives us more reasons to challenge the way North Americans look at the world, because there is a serious danger in not being able to contextualize objects and events.

Friday, August 18, 2006

Now I remember what I hate about Vancouver

It's a smug, self-absorbed city, with pockets of hyper-smugness further characterized by the sort of ignorance that can only come from having too much money and too much free time. It's high time that the First Nations of British Columbia wage armed struggle against all of Kitsilano and Yaletown. And the first they should do is torch all the retail stores along West 4th.

Thursday, August 17, 2006

Amnesty International Press Release

Amnesty International has just issued a on the political killings in the Philippines.

Here are some other links and resources on the current political situation in the country

Backgrounders
Related websites
Statements
Related news articles
What can you do
  • A petition to stop extra-judicial killings in the Philippines.
~

From a July 31 entry:

I was just informed that the family of a distant relative of mine, Constancio "Chandu" Claver, has suffered a horrific injustice under the hands of Philippine military. His wife Alice was killed in an ambush in Kalinga, Philippines, and his 7-year old child was injured. Chandu himself is in critical condition.

The Clavers are not alone. Since 2001, an estimated 700 political activists, journalists, lawyers, human rights defenders, and members of the clergy have been killed. All evidence points to the Philippine government and its president, Gloria Macapagal Arroyo.

Please take the time to read and sign
this petition to stop extra-judicial killings in the Philippines. The murder of progressive activists in the Philippines needs some serious international attention.

Tuesday, August 15, 2006

Back in Leiden

~ A small fake beach by the Danube river with a swimming pool on a barge. Um. Yes. ~

Back in Leiden at Delia's flat. I am thrilled to be here. Sweet halcyon month of doing nothing, here I come.

I don't know who reads my blog. This might turn into "therapy blog" for a little while. It's unbelievable, though, how much writing down all this shit has really made me happier and healthier.

This is something that most people probably don't know about me: I am deeply shy and utterly insecure. I can be very social, but the better people get to know me and things that make me tick, the closer they get to my places of deep insecurities. And the close they get, the more I wall them out. I guess a lot of us are like that.

I know that my ego is terribly insecure and I tend to brag about my accomplishments (or hardships!) because I need affirmation of how special I am.

I wonder if we all go through our childhood insecure. I remember feeling left out when I was a kid. I didn't want to play with guns and trucks like all the other boys. I didn't even really wanted to play with other children, for that matter. I liked Lego, chemistry kits, Mad Scientist (TM) toys, and sketch books. My single childhood friend was Dart Tiglao, who at the time meant the world to me. Even then, I remember thinking and feeling that Dart played with sad, sickly me because of pity, or because our mothers had arranged it so, or both.

When a potential friend comes into my life, I pour everything into the relationship as quickly as possible, in case they turn out to be the last friend I would have for a while. So I consume as much of their company as I can and pay with the currency of utter emotional honesty: I lay my soul bare as quickly as possible.

Now I'm realizing that this is unsustainable if practiced all the time. Being emotionally guarded is mere prudence because emotional resources are easily exhausted. Emotional capacity follows the economics of finite resources, the mathematics of scarcity.

I've always felt that I'm out of time. For everything. Hence my propensity for risk-taking, because every day is carpe diem day. Hence my tendency to be either on or off, hot or cold, no in-betweens. (Computers fascinate me because everything underneath it all, it's just zeros and ones.)

The United Nations complex in Vienna gets a taste of some brown breakdancer ass!

~

During one particularly paranoid phase in Grade 2, I felt that the entire world was out to get me, that somehow there was--get this--an attempt to assasinate me. Bizarre, but true. All I knew was that I wanted out of my school. At that time I remember that there was some sort of possibility that I would move to China with my father; I clung to that possibility, and made sure that I spread the word. I wanted people to know that I was leaving, because I wanted them to realize that they've all mistreated me and that they were going to miss me when I'm gone. And I despised them all, because I wasn't the well-liked, that I wasn't the centre of attention. I hated them because I was denied their love or, maybe more precisely, their adoration.

Are performers fundamentally insecure? Is that why they take to the stage, because they need the adoration or acclaim? Why do they feel the need to share?


Thanks for letting us know, Cafe National.
~

When I love, it's like a floodgate inside me opens. Light and cobwebs and fantasies and geometric shapes and music spill in succession. Delirium, sweet delirium: I am lost in a land of make-believe, where towers of marble and ivory spring from forests, where streets are cobbled with terracotta, and everyone wears silk, copper, pina.


The Kunsthaus cafe
~

When I left Vancouver a month ago, my roommate Zailda gave me a blank notebook with little quotes that she had selected, typed out, and pasted on the cover. Here's a few:


Somehow, I must reconcile my need to do things for myself with my need to do what my conscience tells me is right. And I suspect that the "somehow" is not all that mysterious, actually, because both needs can be met by the same act or set of acts. The better I feel and can resolve personal issues that are rooted deep into my childhood, the more sensitive I become to the emergency of the world.

Right now, however, I am all talk, and no action.

Sunday, August 13, 2006

End scene

After four weeks of cycling to classes, dancing on hard floors in beautiful studios, meeting and hanging out with dancers from around the world, seeing shows that ranged from exquisite to execrable, ImPulsTanz has finally come to an end.

I'm not sure where to go from here. Few of the shows I've seen moved me (although Ballet C. de la B. d'avant was amazing), none of them inspired me in terms of new directions to take with where to take my work. I think I know why now: ImPulsTanz suggested new approaches to performance, creative processes, and aesthetics, but did nothing to challenge my understanding of dance as political practice.

I'm going to keep training for a little while longer, but only because I currently have no idea what else I would do with my body. Without dance or Pilates or some sort of physical discipline, my sense of myself disintegrates.


Muge (Pearson classmate) and Alp. She works for the United Nations, he's a musician. Muge points out that between that two of them, he makes more people happy.

Sunday, August 06, 2006

Never ride your bike on the sidewalk in front of the police station

On the way to the Schönbrunn, Stuart (a wonderful Bill T. Jones dancer that I met at the festival) and I were fined 21 euros each by the polizei for riding on the sidewalk. We tried the whole stupid tourist excuse, but it didn't fly.

I found the entire affair so humorous and unbelievable that I asked the police lady who was taking an imprint of our Visa cards if it was okay that I took a photograph to commemorate our first violation in Austria. She stared at us for a moment and then said in a cold and clearly offended tone, "No, it's not okay."

The crime rate in Vienna, I am told, is very low. We were probably the high point of her day.

I'm going to visit Schönbrunn again, and this time alone. I've gotten so caught up with making friends and partying here in Vienna that I've neglected the reasons I came to Europe in the first place: to recuperate, to write, to be alone, to find happiness in solitude. Don't get me wrong; it's been hella fun. But I'm off-centre again. At least I can recognize the problem and recover more quickly.

Find centre, said Zvi Gotheiner in my ballet class this week. Once you're there, it takes less work than you think to stay in it.




~
It's huge.
~

Postlude

Some things elude me. Timing, for instance. The perfect comeback spring to mind after the person in charge has already walked away. The body retreats into the perfect defensive stance after the blow has already been dealt. The perfect strategy emerges after the war has been lost. Perfection, for that matter, eludes me, because it is chasing after you. I can imagine you as a perfection grenade. You glissade into a room and turmoil ceases; you release, and there is a collective gasp; you explode, and everyone simply declares a truce.

I lost miserably in the war of self-assuredness. The more calm you were, the more tense I got. (The more calm I tried to be, the more tense I got.) But you weren't the enemy, of course. You see, once I believed that the battle was with strangers. Then I also realized that the battlefield was littered with people I knew. Now I also suspect that I am often the only one holding a gun in the first place.

This is an insufficient analysis of internal conflict, of course. But as an artist, I can't help it. Artists explain the world in the process of trying to understand it. Or put in another way, they investigate the world while developing tools to explain what they might discover. With insufficient data, artists extrapolate; from the extrapolation, metaphor; from metaphor, beauty. But then from beauty, truth?

Occasionally. Beauty I can cope with, but many things elude me, and the truth is one of them. The truth chases only the dead.

Once I caught you sleeping. Nothing seemed to matter other than your fragile body on the floor--your hand twitching as you settled deeper into sleep--and how you grasped a tuft of your hair as if to protect it in case some biblical spy sneaks into the room to sever your strength. You settled into your defensive stance before you let your guard down. Perfection.

Some things elude me, like you. Maybe one day we'll meet and the timing will be right. I will stop thinking strategy, you will extrapolate beauty, and we'll finally--simply--declare a truce.

The secession building

~

(On a lighter note, check out these puns from a cooking website for engineers!)

Thursday, August 03, 2006

Dance Karaoke

Here's a concept that I'm surprised no one has come up with for Vancouver contemporary dance gatherings: dance karaoke. At one of the post-performance parties, the audience chose from DVD recordings of 16 dance artists dancing to a pop song. The audience's task was to dance along with them while wearing pink slippers and black gloves, which the dance artists in the videos also wore.

Today I got my first dance job offer. A gig in Italy for two weeks June working with a choreographer who will be guided by Ted Stoffer. The woman approached me after an improv class I took. I didn't know these things actually happen.



Bill T. Jones (bottom left) and Susanne Linke getting their groove on